Working on children’s illustration

I have used a number of styles over the years to illustrate children and settings for stories. It would be just so easy to copy the prevailing style and say job done. But then, who would hire me? Art directors have trusted illustrators already who do those styles and do them well. Many at the moment are prepared or finished off in Illustrator, it seems. This is not an app I like for my main artwork. And lots of other images of children have super-sized faces and very flexible and stylised arms and legs. I do love them. Just that…

Character continuity

I often try to draw the same character doing different things. Keeping the style, keeping the character recognisable: it’s all grist to the mill in children’s illustration. I thought of these two kids last week and drew the first image out in ink. I used permanent ink for the characters and soluble ink for the background – I wanted to keep the focus on the characters, who would be coloured, and leave the background as monotone after some moving around of the soluble ink for shading. The digital work was done in Photoshop and Clip Studio Paint – I just love the blending brush in CSP and often choose…

Attics, magic and books

I wrote a short chapter book which would divide into six chapters. It seemed reasonable for the target age group to have a six-year-old girl going to a new school, having just moved into a new home. It would need colour illustrations on every page, I think, to encourage the new reader to read, even if being read to. The (dreaded, compulsory!) synopsis starts like this: Jess hates her new house because it is draughty, noisy and ghostly. She also hates her new school because she has, as yet, no friends. Grandad has stopped travelling and moved into the attic….