Mixed media, hand made or digital?

Ticking upload boxes on portfolio sites, such as the Association of Illustrators in the UK and the Directory of Illustration in the US is always problematic for me. Nearly everything these days ends up digital. If you just scan it in and send it to the client, I guess it is hand made. Anything added and it could be deemed digital. On the other hand, visibly digital is quite different from using digital means to an end (isn’t it completely obvious who has used Illustrator or some special Photoshop brushes?). So what are art directors expecting if they key in…

Mixed skills needed!

Editorial illustration demands so much more than just being an artist. Not only do you need to keep in mind the basic art requirements of composition, content and values – which includes checking it reads in black and white plus leading the viewer’s eye to the most important thing – but some element of “up-to-date-ness” and perhaps even an ability to use an essence of cartooning, for example. I find this variable set of add-on needs stimulating. For instance, I was depicting Donald Trump and his declared “USA first” ideas and how they might deter people who would choose to go…

Character continuity

I often try to draw the same character doing different things. Keeping the style, keeping the character recognisable: it’s all grist to the mill in children’s illustration. I thought of these two kids last week and drew the first image out in ink. I used permanent ink for the characters and soluble ink for the background – I wanted to keep the focus on the characters, who would be coloured, and leave the background as monotone after some moving around of the soluble ink for shading. The digital work was done in Photoshop and Clip Studio Paint – I just love the blending brush in CSP and often choose…

Journey of an illustration

I read the news about the latest plan to fine CEOs if their firms conducted unwarranted cold calling. Immediately an image sprang to mind (well that’s what you would want in the heat of a commission, obviously, if it were one!). So I sketched it out. I knew straight away the pool of tears was OTT and thought I’d better have a few different ideas. I also knew I’d need some snakes and some telephones photos to make a more accurate image, even if I stuck to my normal hand-drawn, sketchy feel. So I came up with the idea of a sledgehammer because…

Biro to the fore again

I spent a long time doing biro sketches of children last year. I still love using a scribbly biro and have been tempted to ditch heavier ink outlines and revert to type! Anyway, I painted this little toddler tennis star and was wondering about a background for him. I decided to sketch the flowers in his garden in biro (ball point, if you call it that), and then simply locked the unused pixels on the flower layer and brushed various colours over the linework to make a background without it being intrusive. I had my doubts at first, despite liking it, but then…

Attics, magic and books

I wrote a short chapter book which would divide into six chapters. It seemed reasonable for the target age group to have a six-year-old girl going to a new school, having just moved into a new home. It would need colour illustrations on every page, I think, to encourage the new reader to read, even if being read to. The (dreaded, compulsory!) synopsis starts like this: Jess hates her new house because it is draughty, noisy and ghostly. She also hates her new school because she has, as yet, no friends. Grandad has stopped travelling and moved into the attic….